Effective Use of Spins

Now, KAMUI leather maintains even more porosity enabling the tip to grip the cue ball to prevent miscuing. Again, this is more of a conventional flat tip. One box of 50pcs. Well the snooker tip of Kyren Wilson looks like a standard domed tip in shape although at first glance the whole tip looks a bit miss-shaped. Nice depth and average shape, tip looks a little hard, I wonder if it is? Random Videos

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The tip certainly looks a lot deeper and domed. Always difficult to decide the best time to change your tip! Well here is an old cue tip shape that Jimmy White used. Not a usual shape nowadays but who can argue!

Well the snooker tip of Kyren Wilson looks like a standard domed tip in shape although at first glance the whole tip looks a bit miss-shaped. Looking closely, it seems that he may actually favour chalking the top part of the tip a little more?

Well this looks like a very tidy domed snooker tip shape. Giles Martin fitted this for Mark and has made a very neat job of burnishing the tip edges to protect the shape of the tip and help prevent mushrooming. Again we can see that this is s standard dome type snooker tip shape.

On the side the tip has been burnished to prevent mushrooming and it does make the tip look neater. It shows how small the tip playing area is when you look at the chalk. It is actually a standard domed tip shape with burnished edges to help protect the tip from mushrooming, looks like a nice size snooker tip. Not a great deal of tip here which is how I like it. Burnished well on the edges and just maybe a tad mushroomed but not much. This a standard dome shaped snooker tip for Marco here; nothing out of the ordinary and a reasonable distance height from the ferrule.

Professional Tip Shape 2. Some players have had their cue for years and want to increase their tip size without changing their cue, this may be an example of that. Professional Tip Shape 4. Again, a nice tidy tip with burnished edges; this is a tip I would quite like myself but each to their own.

Professional Tip Shape 5. It will be interesting to see how he gets on! Take a look at some of his tips from last year here. Professional Tip Shape 7. Nicely burnished sides protect the shape of the tip and he sure plays with confidence. A nice dome shape on this one. Professional Tip Shape 8. Professional Tip Shape 9.

Well, Kyren did in fact have a couple of miss-cues with the tip off of the cushion which started to cost him. After miss-cueing he took a short break to repair the tip mid frame. Unfortunately, when Kyren returned he miss-cued again off the cushion on an important black and that was frame over. If you take a look at the tip after the miss-cue you can just about see a little damage on the left hand side of the tip. Because of the height it has left very little room for a decent repair so you can understand why he had further problems.

Another standard shape though. Standard dome shape with a decent amount of height and takes the chalk well……. Plenty of height, well burnished and it takes the chalk nicely, what more could you want? Professional Tip Shape The strength of the back three fingers should decrease toward the little finger. Try to feel the strike in the 'ring' of the grip and try to keep the back three fingers a little less active during your final delivery.

If on the other hand you have inconsistent positional play as a result of dropping your back hand and elbow too early I suggest you look to maintain the height of the elbow during the delivery. To help make sure you can do this while still getting a good follow through the cue ball, I would suggest that you visit a qualified coach to ensure your set up is correct.

A good set up will allow you to have a vertical back arm in the address position and will allow you to maintain the height of your elbow while still getting a complete follow through approx. Delivering too fast or too slow mis-timing the delivery: T his fault is usually caused by a final backswing that is too long or too short or when trying to get the spin through power instead of timing.

When this happens you will almost invariably try to speed up or slow down the speed of delivery to make up for your poor preparation - the result is a mis-timed delivery.

The spin you apply in this instance is often not the spin you were hoping to achieve. Use your feathers to get a feel for the shot and to get the correct length for your final backswing.

For power shots have feathers and a final backswing that are longer. For more gentle shots have feathers and a final backswing that are shorter. Try to get the feeling that your speed of delivery is constant for every shot - only the length of the feathers and final backswing change, depending on the power required.

Not addressing the cue ball with a level cue: T his fault usually occurs as a result of the player elevating the butt of the cue in the address position when this is not required.

This fault is made even worse if your tip is too far from the cue ball in the address position. You must aim to have your cue as level as possible in the address position. Raise and lower your bridge to allow you to keep the cue as level as possible while still getting your tip to the desired height on the cue ball. For backspin shots you will need to elevate the butt slightly to get to the very bottom of the cue ball.

This may also be the case when the cue ball is near the cushion, there is a ball impeding your normal bridge or when you need to play a swerve shot. The rule however, never changes - keep your cue as level as possible. More often than not I see people with the butt of their cue too high in the address position. This means they are hitting down on the cue ball making accuracy more difficult. Get the cue as level as possible and the tip as close to the cue ball as possible without touching it within 1 cm if possible.

Your aim should be to deliver the cue on the same plane as you have used at address. This can happen for any shot but is most common on backspin shots when I often see not only a poor follow through, but the cue actually re-coiling backwards after striking the cue ball.

If your set up and address position are correct you should look for a follow through of approx. This consistent follow through should be used for all shots with the exception of more gentle shots. For gentle shots you should look to curtail your follow through a good guide, for gentle shots only, is to match the follow through to the length of your backswing - which for more gentle shots will be shorter.

This consistent follow through is important when applying backspin as well as topspin. A good follow through will give you the best chance of accelerating through the cue ball, keeping the tip in contact with the cue ball a split second longer and making your application of spin more efficient you will obviously need to be careful not to foul the cue ball with your follow through - this is usually where you are using backspin on a straight shot or where the object ball and cue ball are very close together.

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